The Vampire Diaries Executive Producer Julie Plec answers questions about “The End of The Affair”

The Vampire Diaries Executive Producer Julie Plec sat down yesterday at The CW network to answer fan questions about tonight’s episode, “The End of The Affair” airing at 8/7c:

How far will the “originals” storyline extend this season?

Definitely the whole way! It ties in from many places, and there are many characters that will be introduced along the way. We will meet an “original” mother in the past, and see Elijah again most likely. The show is about bloodlines, and the originals are critical to that theme.

What is the deal with Damon and Elena?

So far there has been no admission of chemistry from Elena towards Damon. There’s certainly an elephant in the room whenever they are together. In upcoming episodes, this will be addressed!

When will we see Bonnie again?

Bonnie returns next week from a summer with the normal side of her family. She comes back eager to find out what she’s been missing.

How will the event with Caroline’s father affect her character?

Before this, Caroline’s strength came from her father, but now she realizes that her mother is there for her as well. She will certainly channel the experience and become wiser in response.

What is going on with the ghosts ?

There is definitely an agenda that goes beyond making amends with the living. When Bonnie returns, there will be tension between her and Jeremy around the issue. The emotional consequences of bringing him back to life will be illuminated through his interactions with Vicky and Anna.

Will there be any big deaths in the near future?

This show is known for that, but you know I can’t reveal anything!



 


Supernatural – The Official Companion Season 6 (Releases September 27th)

Season 6 is a season of mystery and shadow. Heaven and Hell have been left in complete disarray since the apocalyptic events of Season 5. And now, monsters, angels and demons roam across a lawless and chaotic landscape. And so Dean Winchester, who has retired from hunting and sworn never to return, finds himself being pulled back into his old life — pulled back by none other than Sam Winchester, who has escaped from Hell. The two reunite to beat back the rising tide of creatures and demon-spawn, but they quickly realize that neither are who they used to be, their relationship isn’t what it used to be, and that nothing is what it seems. This official companion is packed with exclusive interviews, photos, behind-the-scenes secrets, a complete episode guide, plus a color portrait gallery of the stars.

Here is an excerpt from the companion:

SAM WINCHESTER

Going into season six, before Jared Padalecki found out his character would be soulless, the actor had a hunch that something would be wrong with Sam this season. “Obviously spending some time in Hell would do something to you,” says Padalecki. “It’d make you change a little bit. Plus, Sam had Lucifer inside of him, so I don’t see how he could come out of Hell and not be very different.”

It’s that difference that Padalecki particularly enjoyed playing. “Some of my favourite scenes of the season were where we get to see Sam be just an absolute mechanical professional, a bit cold and calculating,” he says. “That was really fun, because for years Sam had been this really emotional, passionate guy. It was fun to play the opposite.” So opposite, in fact, that this Sam doesn’t think twice about killing innocent people. “I got to play it like, ‘Yeah, he seems like a nice guy, but if we can kill him and save two people, that’s one for two, as opposed to letting three people die.’ Dean is going, ‘Who are you? Where’d you come from? You don’t kill somebody, you see if you can help them!’ But Soulless Sam is like, ‘Well, doing it that way is risky.’ It was a total departure from the first 104 episodes.

“I had so much fun playing Soulless Sam!” Padalecki exclaims. “There’s a quote that I love: ‘Everybody’s the hero of their own story.’ Sam struggled with that a lot in season four with Lilith and Ruby and going, ‘Look, you’re wrong. I’m doing the right thing – I’m gonna kill Lilith! Come on, help me out.’ It’s like, ‘Why are you hating on me when I’m just going to kill the worst demon alive right now?’ So in season six, when he was soulless, he was [still doing what he thought was the right thing], he was just calculated because he was emotionless. He looked at it very logistically and realistically: ‘Well, maybe you’re a demon and I like you, but as a demon you might kill ten people, so I’d rather kill you, because you’re one person as opposed to letting you kill ten people.’ He was very mathematical. ‘One death compared to ten deaths? Okay, go with one death.’ It was really cool to play that character. I knew it was going to be for a stretch, so I tried to do the best that I could. As an actor, it’s my job to understand why he was doing what he was doing, and obviously I can never go, ‘Oh, well, I’ll get rid of my soul for a little bit… ’ You can’t really do that! So I had to try to justify how somebody who has no soul would think of these things. I didn’t want to play Sam as evil and I didn’t want to play him boring. I didn’t want no soul to mean I walked around slack-jawed and bored the audience.

“It was fun to do the comical things,” adds Padalecki. “Like the episode with the fairies. Dean’s like, ‘I’ve been abducted by aliens and you’re trying to sleep with the hippy chick?’ Sam’s like, ‘Well, I looked for you a little bit… ’ It was kind of a weird mixture.”

Despite the fun he had with it, Padalecki found playing Soulless Sam challenging at times, especially when he was working opposite Jensen Ackles. “For five years I’ve been so used to chatting with Jensen on camera,” he points out. “The reason the characters have such great chemistry is that he and I react off each other. That’s our souls reacting: this makes me think that and feel that, this makes me say that, which makes you feel that, which makes you say this, which makes me feel this… So it’s weird to try to not go off feelings. Somebody will say something that will elicit a reaction out of you as a person and you want to be thoughtful, and then you realize, ‘Oh, I don’t have any thoughtfulness.’ Many many times I’d ask for another take – ‘I feel I was too empathetic on that take,’ which is kind of funny. But Sam’s normally full of heart, always listening, and he cares and he wants to help. When Castiel’s doing something wrong, like sticking his hand in that boy’s chest, usually Sam’s the one who wants to run in and say, ‘Hey, hey, hey! Stop!’ Instead Dean’s doing it and Sam’s watching very robotically. It was very tough, and a few times I had to catch myself. So when I got my soul back it was like going back home. It’s like, ‘Alright, that was a lot of fun, like an awesome vacation, but it’s good to get back home and back down to brass tacks.”

Speaking of eliciting emotional reactions, Padalecki knows how to get a laugh – or maybe a cry – out of Misha Collins with their long-running prank war. “Misha forgot his iPhone at craft service and I happened to find it. I knew it was his, because he’d been showing it to me the day before, so I thought, ‘Oh, Misha, you’re going to pay for this!’” Padalecki recalls. “I grabbed it and I frantically was like, ‘What can I do? How can I play a prank on Misha? I know – send a bunch of text messages!’ Misha has an iPhone plan where text messages cost fifty cents per text, so I texted myself. I typed one letter at a time and wrote stuff like, ‘I should be more careful with my belongings and I shouldn’t leave them at the craft service tent’ – ‘I,’ send, ‘S,’ send, ‘H,’ send, one letter at a time. I ended up sending a hundred texts or something, so it cost about fifty bucks. Meanwhile, Misha was frantically looking around for his phone thinking he’d lost it. Finally I said, ‘Misha, I got good news, your phone’s not lost. I’m a hundred percent certain that your phone is within one hundred feet of where you’re standing.’ He started looking around. I’d left it on the windshield of one of our trucks in the circus, so he found it. Then I told him, ‘You might notice on your bill that you have some text charges. You’ve been texting too much this month.’ I realized later that I’m such an idiot, because it costs fifty cents to send the texts, but it costs twenty-five cents to receive one. I’d sent all these texts, like, ‘Hee, hee, hee, I’m so smart,’ but I was being charged half of what he was being charged. I should’ve just texted somebody else. So I got a laugh, but Misha got a laugh, too, because it came back to [bite] me.”

Like Collins with Padalecki, Castiel got the last laugh on Sam, when Sam’s attempt to gank the nuclear soul-charged angel with an angel-killing blade didn’t get the desired result, because Castiel is no longer an angel. This move by Sam was at least partially fueled by vengeance, since Castiel callously removed the mental wall that held back Sam’s tortuous memories of Hell, as well as the memories of the unsavory methods his soulless self had used when hunting without Dean. So the big question for Sam moving forward is, how will he handle these horrific memories? Your guess is as good as Padalecki’s, but he does make a prediction: “Season seven is gonna be a doozy.”

DEAN WINCHESTER

“More than any other season premiere, episode one of season six was probably the most anticipated script for me, to see where they go after the Apocalypse. I like the idea of going forward from the Apocalypse and trying to pick up the pieces,” Jensen Ackles says. “I had the idea of doing a Jason Bourne type of scenario, where they wake up a year or two later and they don’t know what happened, but they know something big happened, and it’s like piecing together how bad it was and what damage was done, and where the characters are that they’d been dealing with.” Ackles’ idea wasn’t that far off, so what did he think when he finally did read that first script of the season? “Well, because I was directing the fourth episode, they sent me that script first, and it went back to the monster-of-the-week kind of story that we did in seasons one and two, which was cool. It was nice to get back to the basics, back to what the show was originally all about.”

One of the basic things the show was originally about was one brother pulling the other brother back into the life of hunting monsters, which is what happened again in the first few episodes of season six, only instead of Dean pulling Sam away from college life, Sam was pulling Dean away from life in the suburbs. “The domestication of Dean, as I like to call it,” comments Ackles, “was an interesting side of him to have to play, because you’ve taken this character out of the element he knows so well and put him into a situation that for everybody else is very normal, but for him it’s completely out of the norm, and he doesn’t really know how to act. But it was nice getting back into hunter Dean.”

A less drastic change was the actor going from in front of the camera to behind the camera, when he directed ‘Weekend at Bobby’s’. That came about, Ackles believes, due to the interest he had shown in directing while working on the show. “If one of the directors asked me what I would like to do, I’d always suggest something related to positioning, camera angles, and movements to have intensity on the scenes. So I guess [the producers] wanted to reward my work. They said, ‘Hey man, you really put a lot into this show, you’ve given it your blood, sweat, and tears. We wanna give you a pat on the back and let you direct an episode next season. You deserve it.’ It meant a lot to me. You can’t imagine how excited I was!

“It was really cool,” he enthuses. “It was the fourth episode aired, but we actually filmed it first, which was a nice thing that the producers did – they moved my script up to be shot first so that I’d have time to prep. Otherwise, if we were shooting in sequential order, I would be filming on episode three and not really be able to prep. It was a really good experience, but it was a lot of work. I kinda went into it with the mentality of, ‘If I fail at this it won’t be because I wasn’t prepared,’ so I pored over that script for weeks and I showed up day one with eight days of shot lists. I was ready to go and swing at the fences. I had a lot of support; I had a very talented crew who watched my back and made sure that I wasn’t doing anything stupid. I couldn’t have asked for more support than I got from everybody. It was a good episode, too. It was all about Bobby, so Jim Beaver was carrying the weight of the episode. Jim’s such a trouper. It was the biggest Supernatural episode he’s had. I think it turned out alright.”

Conversely, it is probably the smallest episode that Dean and Sam have had. But nevertheless, it contains a key moment for them – it was obvious when Sam stopped Dean from burning Crowley’s bones that something was off about him. It’s not until the seventh episode, ‘Family Matters’, that it is revealed that Sam doesn’t have a soul and, as Ackles puts it, “There’s something seriously wrong with him, so there’s a division of the brothers again.” Sam is soulless for the first half of the season, a scenario that Ackles found challenging, because Jared Padalecki wasn’t playing the character Ackles had grown used to acting with. “I didn’t expect it to be that difficult, but it was,” says Ackles. “When actors play the same characters together for so long, there’s a chemistry, an ebb and flow between those people, so when that is cut off, it really throws you off. I had trouble adjusting to that, so I was very happy when Sam got his soul back.”

Of course, Sam’s soul wasn’t intact – he had a wall in his mind blocking out the literal Hell he’d been through – but that was arguably a benefit to Ackles, since he got to go back to playing the over-protective big brother. “Yeah, I think there was a sense of reverting back to the way things used to be. We see how much Dean is wary of that fragile wall that Death put up and how he is very protective of Sam and not wanting him to fall victim to those memories. I was very relieved, because it gives Dean his characteristics back. When he didn’t have his younger brother, when Sam was so different, it really affected Dean’s characteristics; he couldn’t be the wild and crazy shoot-first-ask-questions-later kind of guy, because he was so concerned that Sam was gonna kick in the door and shoot everybody. ‘That’s not his role, that’s my role. That’s what I do.’ So it really changed the dynamic in the relationship between the brothers for a while and it was not something that I was used to doing. Of course, Jared was doing a really good job of doing soulless Sam, but I think he was ready to get back to original Sam, too. As actors it was nice to get back to the original relationship.”

On the other hand, Ackles enjoyed the opportunity in season six to play a monster himself. “It’s always fun to spice it up a bit,” he says. “You get infected and all of a sudden you’re a vampire! You can hear people’s hearts beating and stuff. It was really fun to play.” Even more fun, though, was playing a cowboy, which was a dream come true for the Texan. “For me, waking up in the morning when I was about six years old, strapping on my six-shooters and my leather sheriff’s vest, and then hopping off to breakfast was just what I grew up doing. In fact, I sent a photo to my father of me in the full cowboy get-up. We went authentic – the wardrobe was incredible. Diane Widas, head of our wardrobe department, put together this duster jacket she designed that was real oilskin. It was a very, very cool outfit, and on the picture I sent to my father I just put, ‘Supernatural: The Western’. He was like, ‘You’ve been rehearsing for that scene since you were six!’ That was pretty cool.”

With Dean playing the protective older brother again and getting to go to the wild west, Ackles was in his comfort zone, but then suddenly he had to work opposite Misha Collins’ rapidly changing Castiel. “The stakes are raised, the emotions are high,” says Ackles of the last few Castiel-infused episodes of the season.

Looking ahead to dealing with Sam and Dean’s new god-like foe in season seven, he simply says, “We’ll see what happens.”

 

Watch free, streaming full episodes of CW shows on cwtv.com for the week of Monday, September 26

CWTV.com is the only place online to watch free, streaming full episodes of all your favorite CW shows.

Check out new full episodes added this week.

90210 Rush Hour 402

In an effort to re-gain her status, Naomi rushes a popular sorority, where she, along with Annie go through sorority games.

Watch 90210 full episode Rush Hour

Ringer She’s Ruining Everything 102

Bridget struggles to figure out a way to cover up a crime that she has just committed, while still convincing everyone she’s Siobhan Martin.

Watch Ringer full episode She’s Ruining Everything

H8R Scott Disick/Eva Longoria 102

Mario Lopez hosts this new reality series in which celebrities will go head-to-head with real people who don’t like them and try to win them over.

Watch H8R full episode Scott Disick/Eva Longoria

America’s Next Top Model Ashlee Simpson 1702

As the tension mounts and catfights begin, alliances are made in the house between the women.

Watch America’s Next Top Model full episode Ashlee Simpson

The Vampire Diaries The Hybrid 302

Klaus puts a plan in motion that will give him even more power, but even with the unwilling participation of werewolf Ray Sutton, things don’t go exactly as Klaus had planned.

Watch The Vampire Diaries full episode The Hybrid

The Secret Circle Bound 102

Cassie attempts to have a life without witchcraft but Diana has different plans.

Watch The Secret Circle full episode Bound

 

Gossip Girl Executive Producer Joshua Safran Answers Questions about the Season Premiere

Gossip Girl Executive Producer Joshua Safran eagerly answered fan questions yesterday at The CW network about the season premiere Monday, Sept. 26 at 8/7c:

What is the deal with Dan and Blair?

We’ve always been nervous about their relationships perception. We’ve always known there is a specific course, yet it may take on some new meaning this season.

Can you tease the 100th episode at all?

It is going to be a blast. All I can say is that we’ve been watching the pilot a lot.

Will the majority of the season be bi-coastal?

Not for long. The crew will fully return to New York soon.

What is Elizabeth Hurley’s agenda?

Can’t reveal what it is specifically, but I can say she is very honest about it. She will play games but be very upfront, and it will carry back to New York!

What’s up with Rufus and Lily this season?

We don’t want to mess with that couple very much. They have worked very hard to stay together and we want them to be grounded. They will float in and out of other story lines.

What’s in store for the infamous Chuck Bass?

Chuck’s theme this season is growing up. His journey opens the door to a new way of life that we haven’t seen before.

Will we see a lot of Nate this season?

Nate has a huge great story! Like Chuck, it relates to finding out who he really is and taking control of his life.

 

Supernatural Executive Producers Answer Questions about the Season Premiere

Supernatural Executive Producers Robert Singer and Sera Gamble visited The CW network yesterday to answer fans’ eager questions about the season premiere Friday, Sept. 23 at 9/8c:

With Sam clearly battling issues right off the bat, is there anything  big for Dean on the horizon?

Dean will have lots of issues to deal with in the upcoming season. He will carry a very rocky and emotional journey.

Will Sam continue to hide his problems from Dean and Bobby?

His issues are so powerful with relation to the walls in his head breaking, that it will be very difficult to hide. He fears that he may be losing his marbles for good, and will be forced to come clean.

Will any new alliances be formed?

A few. Bobby will run into an old acquaintance named Frank who will prove difficult to deal with. In addition, a quirky new hunter named Garth will cross paths with Dean.

Will Sam and Dean be separated, or stand side by side throughout the season?

Our protagonists will be closely guided by where the story takes us. It will be mixed up, with each character engaging in their own adventures.

What is one overall theme for the seventh season?

Sam and Dean feel more-so than ever, that they are part of a small and outmatched resistance towards fighting evil. The world around them has drastically changed, and they need to react accordingly.

Supernatural – Meet the New Boss Clip

Supernatural premieres in 3 days! Here’s a clip to hold you over. Season 7 premieres Friday 9/8c.

NOW CASTING The CW’s H8R!

You’ve seen the show, now its YOUR turn to stop the H8.

Do you know someone who absolutely hates a celebrity?

Are you sick of hearing them gripe, bash, complain and whine about them?

Has it become just too much, borderline obsessed? Do you just want them to shut the F*%# up?!

Enough of their tweeting tantrums, feuds on Facebook and yells on YouTube, this is your chance to put their hate to the test and join us in the ultimate secret face off!

Doron Ofir Casting is seeking celebrity H8Rs to join Mario Lopez for
all new episodes of the hit show.

If you’re at least 18 years old, residents of Southern California, and
have tons of energy—then email us now!

Email us at lovehatecasting@gmail.com

Watch free, streaming full episodes of CW shows on cwtv.com for the week of Monday, September 19

CWTV.com is the only place online to watch free, streaming full episodes of all your favorite CW shows.

Check out new full episodes added this week.

90210 Up in Smoke 401

In the season four premiere, the gang from Beverly Hills have graduated from high school!

Watch 90210 full episode Up in Smoke

Ringer Pilot 101

Bridget Kelly is six-month sober and starting to turn her life around when she is the sole witness in a murder trial!

Watch Ringer full episode Pilot

H8R Snooki/Jake Pavelka 101

Mario Lopez hosts this new reality series in which celebrities will go head-to-head with real people who don’t like them and try to win them over!

Watch H8R full episode Snooki/Jake Pavelka

America’s Next Top Model Nicki Minaj 1701

Cycle 17 features the first-ever All-Star cast, with fan favorites and outrageous personalities from different cycles as they square off and compete for the grand prize!

Watch America’s Next Top Model full episode Nicki Minaj

The Vampire Diaries The Birthday 301

Elena is focused on searching for any clues that might help her discover where Stefan is!

Watch The Vampire Diaries full episode The Birthday

The Secret Circle Pilot 101

Cassie Blake’s world is turned upside down after her mother dies mysterious accident, forcing Cassie to move in with her grandmother in the small town of Chance Harbor, Washington!

Watch The Secret Circle full episode Pilot

 

WARNER BROS. CONSUMER PRODUCTS TAPS ROMEO & JULIET COUTURE FOR HIGH-END GOSSIP GIRL–INSPIRED FASHION LINE

Gossip Girl by Romeo & Juliet Couture” Collection to Launch at Major Fashion Retailers in

Conjunction with Season Five of Gossip Girl, Which Premieres

Monday, September 26, at 8/7c on The CW

Spotted! Warner Bros. Consumer Products and Warner Bros. Television Group (WBTVG), together with Romeo & Juliet Couture, today announced the launch of the highly anticipated Gossip Girl–inspired apparel collection, Gossip Girl by Romeo & Juliet Couture. Featuring chic, contemporary fashions, the line will hit high-end fashion retailers — beginning with Kitson, Neiman Marcus and Saks Fifth Avenue — this fall in conjunction with season five of GOSSIP GIRL, which premieres Monday, September 26, at 8/7c on The CW.

Romeo & Juliet Couture’s sophisticated “Inspired-by GOSSIP GIRL” collection will feature designs inspired by the characters in the stylish and trend-setting series, including tops, dresses, bottoms and outerwear priced from $80 to $200, and will extend into handbags and accessories for the spring collection.

For an advance look at the collection and to download artwork, please click here: http://bit.ly/q2fpgu .

“The entire collection was inspired by the modern and sophisticated young women portrayed in the show GOSSIP GIRL,” said David Shamouelian, CEO of Romeo & Juliet Couture. “The designs are intended to empower young, independent women to embrace their feminine side and still maintain their strength.”

“We’re thrilled to be partnering with Romeo & Juliet Couture on the sophisticated, fashion-forward line that truly brings the essence of the series to life,” said Maryellen Zarakas, Senior Vice President, Worldwide Marketing and TV & Studio Licensing, Warner Bros. Consumer Products. “Romeo & Juliet Couture has created a collection that will resonate with fans of the show.”

GOSSIP GIRL took the fashion world by storm when it debuted four years ago on The CW Network, and as the series prepares to enter its fifth season and approaches the 100-episode milestone, its looks remain as relevant and iconic as ever,” said Sonia Borris, Senior Vice President, Marketing & Operations, Warner Bros. Worldwide Television Marketing. “If you are a fan of the series or have the urge to unlock your inner fashionista, this new line by Romeo & Juliet Couture will satisfy, no matter which character’s look you love and identify with.”

Working in partnership with Warner Bros. Consumer Products and Warner Bros. Television Group, Romeo & Juliet Couture’s “inspired-by GOSSIP GIRL” collection will be supported by a national promotional campaign, including on-air ads, online promotions, in-store signage and through various line-launch events.

Based on the popular series of young-adult novels by Cecily von Ziegesar, the series is narrated by the omniscient yet unseen blogger “Gossip Girl” and revolves around the scandalous lives of Manhattan’s elite. Season five opens in the City of Angels — Los Angeles! A suntanned Serena has found the perfect summer job when Chuck and Nate, who are still on their posh trip around the globe, decide to pay her a visit on their mega-yacht. Meanwhile, back on the Upper East Side, Blair is still dealing with the fallout from her impossible choice between Prince Louis and Chuck, and Dan’s world is suddenly shattered when he discovers that someone has gone behind his back and found an editor to anonymously publish one of his stories. Dan is terrified of all his friends and family reading his brilliant-but-honest critique of New York high society — but will he say no to the fame and fortune that comes with being a published author? Finally, the surprise return of Serena’s cousin Charlie will threaten to destroy the van der Woodsen family from within. Watch out Upper East Siders: This season, nobody’s safe, and everybody’s going to be sorry…. XOXO, Gossip Girl.

GOSSIP GIRL was developed by Josh Schwartz and Stephanie Savage, who serve as executive producers with Leslie Morgenstein, Bob Levy and Joshua Safran. The series is from Fake Empire, Alloy Entertainment in association with Warner Bros. Television and CBS Television Studios.

About Warner Bros. Consumer Products

Warner Bros. Consumer Products, a Warner Bros. Entertainment Company, is one of the leading licensing and retail merchandising organizations in the world.

About Romeo & Juliet Couture

Romeo & Juliet Couture was founded in 1999 for the European market and introduced to the U.S. market in 2002. Romeo & Juliet Couture sends a positive message of tolerance and love which empowers young women worldwide to make the right decisions for them and to treat everyone with respect and dignity. The line is in-tune with the trends of contemporary fashion, and its ability to evolve with the trends and inspirations within the fast-paced and ever-changing industry is apparent–in both realms of design and quality. We offer a diverse collection of couture-inspired, sophisticated feminine tops, dresses, bottoms and outerwear. And, Spring/Summer 2011 marked our latest addition–Romeo & Juliet Couture Handbags. The full collection is currently available at Neiman Marcus, Saks Fifth Avenue, Fred Segal, Kitson and other fine specialty stores.

GOSSIP GIRL: THE TV SERIES and all related characters and elements are © Warner Bros. Entertainment Inc.

READ AN EXCLUSIVE EXCERPT FROM THE NEWEST SUPERNATURAL BOOK!

SUPERNATURAL returns Friday, Sept. 23 9/8c.

 

“You boys up for a drive to Colorado?” Bobby Singer asked in Dean’s ear. Dean punched a button to put him on speaker.

“Machete Mime’s in our rearview. What’s in Colorado?” he asked.

“Clayton Falls,” Bobby said. “Giant lizards. Headless horseman. Hit-and-run car with no driver. Definite weird-meter stuff.”

Sam got up from his bed to position himself closer to the mic.

“Mass hallucinations?” he said.

“Wasn’t no hallucination that run down a kid fresh outta high school.” Bobby responded.

Sam frowned.

“We’ll check it out, Bobby,” Dean said, ending the call. He turned to Sam. “I’ll get coffee. Wanna see what you can find online before we hit the road?”

Sam nodded. “Sure. Wi-Fi hotspot here’s not half bad.” As he opened the laptop and powered it on, he added wistfully, “Now that I can sleep again, I can’t find the time.”

Dean paused in the doorway on his way out.

“Sleep’s overrated, right?”

 

Several hours later, the sun was up, the coffee was long gone, and Dean was behind the wheel of the Impala, riding I-80 West out of Nebraska. In the passenger seat, Sam had the laptop computer open to review the pages he’d downloaded for offline viewing before they’d left the motel.

Dean glanced over at him. “Anything?”

“Not much more than what Bobby gave us.”

“So Spielberg wasn’t in town filming giant lizards?”

“Homeless man complained to a beat cop that he was chased by a giant Gila monster.”

Dean raised an eyebrow. “Homeless guy?”

“That’s what it says. Gavin Shelburn.”

“Anyone else see Godzilla?”

“No.”

“Maybe chalk that one up to Gavin hitting the sauce a little hard.”

“Maybe,” Sam said noncommittally. “Steven Bullinger, eighteen, hit-and-run victim. Head trauma. Pronounced dead at the scene. Before he died, Bullinger told a witness the car had no driver.”

“You did say ‘head trauma?’”

“Yeah,” Sam said, conceding the point. “But… another witness tried to grab the license plate number on the car.”

“Okay, that one sounds clear-headed.”

“She says the car disappeared. There one minute, gone the next.”

Dean tapped the steering wheel. “Phantom car. Okay. What about the headless horseman?”

“Apparently he chased the daughter of the chief of police. Lucy Quinn.”

“So we got something.”

“Something,” Sam agreed. “Dean, I’ve been reading through old articles. Lot of press about a garment factory explosion six months ago. Gas leak. Partial building collapse. Trapped a lot of people. Sprinklers malfunctioned. Those who weren’t killed by the initial explosion and fire died from smoke inhalation.”

“How many?”

“Thirty-two dead. All locals,” Sam said. He clicked on another saved page. “Lots of editorials. Worst catastrophe in town history. Human interest stories about each of the victims and their families. Petitions for a memorial. Public debate about the location of the memorial. At the site of the explosion or opposite the town hall. Articles on the bidding and construction. Looks like the town hall location won.”

“Public grieving,” Dean said. “Think there’s a connection?”

“It’s something to consider.”

 

The Winchesters reached Clayton Falls by early afternoon and, after a brief stop at the Liquor Barn, checked into the StarBrite Motel, their room an instant sixties flashback with framed flower-power prints on the walls, tie-dyed pillowcases, bedside lava lamps, peace sign drawer handles and mirror decals, and a colorful beaded curtain doorway for the closet.

Clutching a brown paper shopping bag in one arm, Dean took in the rainbow color scheme with a frown.

“Place looks like they provide LSD tabs instead of complimentary soap,” he said.

“Might explain some of the weirdness in town,” Sam replied with a shrug.

Reaching into his Liquor Barn bag, Dean removed three bottles of whiskey and two six packs of beer, lining them up on the dresser beside the secured television.

“Planning a bender tonight?” Sam asked.

“No,” Dean said, determined to avoid any further mention of his evaporating alcohol dream. “This is my… strategic reserve.”

“Worried about a shortage?”

“Keeping my options close at hand. Timesaver. That’s all.”

“Alright,” Sam said, smiling as he nodded. But he let it go.

They changed into their FBI suits and drove to the municipal building to check in with the chief of police. Zeppelin’s “Kashmir” was playing on the local classic rock station when Dean turned off the Impala’s engine.

They climbed out of the car and crossed the parking lot. The sky was a crisp blue with a staggered line of cottony clouds. To the west, the Rocky Mountains loomed but their edges seemed muted, slightly out of focus.

“Look,” Sam said and pointed to a curved brick wall, five-feet high, fifteen-feet wide, with flagpoles at each end, one flying the US flag, the other the state flag of Colorado. The concave front of the wall faced the brick municipal building, with a lofty white clock tower rising from the middle, on the other side of Main Street. “The curved wall’s the memorial. I recognize it from the online photos.”

They circled around to the front of the memorial. Mounted in the center of the wall was a bronze plaque which listed details about the explosion. On either side of the main plaque were smaller bronze plaques, side by side, with portraits of each of the victims, their names, ages, birth and death dates. The death dates were identical. At the base of the wall fresh bouquets of flowers, along with stuffed animals and framed portraits of the victims or their relatives, filled the open space and spilled out onto the sidewalk.

“This new every day?” Dean asked.

“Flowers are fresh.”

A sign directed them to the police entrance in the back of the municipal building. A short corridor led to a small lobby adjacent to the dispatcher’s elevated area behind bulletproof glass. A gray-haired woman sat on a chair wearing a lightweight headset while she knitted. Next to a microphone in front of her, a nameplate read “Millicent Perkins.”

Dean tapped the glass to get her attention and flashed his counterfeit FBI credentials.

“Ms. Perkins,” he said.

She leaned forward, switched on the microphone.

“Oh—oh, my! How can I help you?”

“FBI,” Dean said. “Agents DeYoung and Shaw. We need to see Chief Quinn.”

“Just a moment. I’ll see if he’s available.”

She turned to the side, picked up a phone and spoke into it. With the microphone off, her voice was too muffled for him to distinguish individual words.

Dean looked around. The lobby held some framed newspaper articles highlighting the police department’s activities in the community. A wall-mounted display rack held various informational pamphlets: how parents could recognize drug use in their children, how to form a neighborhood watch, emergency preparedness checklists, and gun safety tips.

The inner door, beside the dispatcher’s booth buzzed, then opened to reveal a trim man with gray hair in a charcoal-gray police uniform.

“I’m Chief Quinn,” he said. “You are?”

Dean flashed his ID again. “Agents DeYoung and Shaw.”

“Didn’t realize we had a Federal matter here in Clayton Falls.”

Dean exchanged a glance with Sam, who cleared his throat and said, “Homeland Security. We believe—”

“That’s quite enough.” Chief Quinn held up his hand to interrupt. “Let’s take this back to my office.”

Quinn led them down a short hall, past a row of desks with computers, two of which were occupied with uniformed police officers, and stopped at a door affixed with a gold door nameplate: “Chief Michael C. Quinn.” He ushered them into his spartan office: law books and police manuals on one bookcase, several framed photos of Quinn at community events or posing with local dignitaries, coat rack in the left rear corner, U.S. flag on a stand in the right.

Quinn closed his office door and motioned them to the two padded chairs in front of his desk. He sat in the much more comfortable chair behind it.

The contents of his desk formed an organized triangle, a desk blotter holding a monthly calendar with a Cross pen in the center, a stack of file folders at the right corner, and a high school graduation photo of a young woman with red hair and green eyes to the left. The chief’s daughter, Lucy, Dean surmised.

Chief Quinn leaned forward, forearms angled against the edge of his desk, hands loosely clasped.

“Apologize for cutting you off out there. Millie isn’t the town gossip, but not for lack of trying. You were about to mention something related to Homeland Security.”

“We need to question any witnesses to the unusual… events of last night,” Dean said.

“And read any statements that were taken,” Sam added.

“As far as I know the only real incident was a hit-and-run fatality,” Quinn said. “Hardly a Homeland Security matter.”

“We read reports of a giant Gila monster, and a head—” Sam began.

Quinn held up a hand. “Let me stop you right there, Agent Shaw. There is no giant Gila monster in Clayton Falls.”

“Gavin Shelburn…” Sam stopped as the chief’s hand came up again.

“Shelly isn’t the town drunk but—”

“Not for lack of trying?” Dean finished.

“Exactly,” Quinn said, not taking offense. “Nobody else saw such a thing. How far is it from pink elephants to giant lizards? One bottle or two?”

“Lucy Quinn, your own daughter, reported being chased by a headless horseman.”

“My daughter…” Quinn sighed. Leaned back in his chair and stared off into space for a few moments before he spoke again. “Lucy is an only child. She came to my wife and me later in life. A surprise. Pleasant one, mind you, but we never thought…” He cleared his throat. “Lost my wife to breast cancer when Lucy was five. That was hard on Lucy, hard on both of us. Don’t think you can come out of something like that unchanged.” He picked up the Cross pen and tapped it against the paper of the calendar. “Then, last year, Lucy lost someone else close to her. What I’m trying to say is… I don’t think Lucy would intentionally lie about this, but…”

“What? You think she imagined it?” Dean asked.

“I’m not so foolish to think that she might not experiment… that she might have been involved in something she’d rather not tell her old man about.”

“Headless horseman’s one hell of a cover story,” Sam said.

“The boy who was killed by that driver ran out into the middle of the street and stopped there,” Quinn said. “He’d been with Lucy and another boy in Founders Park. I know for a fact that drinking was involved. We certainly found enough beer cans out there. Possibly drugs.”

“A witness said the car disappeared,” Dean said.

“Witnesses are, as a rule, unreliable,” Quinn said. “No surprise to a couple Feds, I’m sure. All of which brings me back to my first question. What’s the connection to Homeland Security?”

“We don’t want to alarm you or the citizens of Clayton Falls,” Sam said. “We know this town has been through a lot.”

“The factory fire,” Quinn said, nodding. “Many residents lost someone, or know someone who did. Hell of a thing.”

Sam cleared his throat, about to launch into their cover story. “We have information from credible sources indicating a terrorist cell might be testing a weaponized airborne hallucinogen here.”

“Weaponized airborne hallucinogen? In Clayton Falls? Why?”

“Small population, out of the way location, easy to monitor results,” Dean said with a shrug.

“Obviously, we don’t think Clayton Falls is the ultimate target,” Sam said. “Their ultimate objective would be a large metropolitan area.”

“And how, may I ask, did you come by this information?” The chief looked startled, as though uncertain how to react to the information.

“Most of the details are highly classified, but…” Sam said and paused for a moment, as if debating how much to tell the local police chief. This was also part of the plan. “What I tell you must be handled with the utmost discretion.”

Quinn leaned forward and nodded. “Of course.”

“We’re relying on some ECHELON chatter and reports from some deep cover operatives.”

The chief nodded and leaned back in his chair.

“I’m convinced, you’re convinced,” he said and cleared his throat. “But I’m a skeptic at heart.”

Sam reached into his suit pocket and produced a credible facsimile of an FBI business card and pushed it across the desk.

“Our supervisor, Agent Tom Willis, working out of the St. Louis field office, can clear up any jurisdictional concerns,” he said. “Possibly provide you with more detailed threat assessment information than we’re authorized to reveal.”

Quinn picked up the business card and examined it for a long moment with one eyebrow arched before sliding it into a shirt pocket.

“Thank you. I’ll take that under advisement.” He stood abruptly; Dean and Sam rose with him. “Regardless, I see no reason why you can’t read the statements or interview witnesses.”

Dean glanced meaningfully at the photo of Quinn’s daughter. “Even…?”

“Legally, she’s an adult,” Quinn said. “Might do her good to learn the… consequences of this type of report.”

He shook hands with both of them.

“I do have one reservation.”

“Which is?”

“This is a quiet town,” Quinn said. “I’d like to keep it that way. Wasn’t always like this though. As I’m sure you’re aware, Falls Federal Prison is just outside the town limits. Couple of years ago, they added a supermax wing. Worst of the worst locked up in there. Had folks in town jumpy as frogs on a hot skillet. Protests, picketing, demonstrations—and not always peaceful. Time passed. Falls remained secure. Life goes on. That’s where we are now. Peaceful, quiet and orderly. What concerns me is that talk of a terrorist attack here could cause a panic.”

“Understood,” Dean said.

“But if we’re right, Chief Quinn,” Sam added, his deep voice serious, “this could turn dangerous.”

“Noted. Keep me informed.”

“Of course.”

Chief Quinn opened the door and looked out into the bullpen area. Only one uniformed cop remained along the row of desks: mid-twenties, buzz cut, earnest.

“Jeffries. Give these FBI agents—DeYoung and Shaw—copies of the witness statements from last night.”

“Everything, Chief?”

“Warts and all.”

“Yes, sir. Oh, and Lucy’s…?”

“Everything, Jeffries.”

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